Glowing lyrics Effect Video making in Node Video Editor Tutorial
Glowing lyrics Effect Video making in Node Video Editor Tutorial
ALIGHT MOTION INTRO
hello I'm sbk Edits official I will be showing you how to create this alright so here we are in Alight Motion creating the intro that you just saw so if you don't want to follow the tutorial or you think it's too hard or takes too much time you can always buy this exact template which allows you to just jump into the effect and go to the title here and change the text to whatever you want text or logo and then you will have it changed right here so to get started with this tutorial let's create a new composition and rename this to the glitch intro main to just say that it's the main comp and then I will just create another composition as well also make sure it's full HD 24 frames per second well the frame rate of 24 and a duration of 10 seconds maybe.
ADD A LOT OF EFFECT
so I did that wrong and the first composition so ten seconds instead of one there we go and we have this comp and I forgot to rename it as well and we are going to rename this to fractal noise and if you have seen the previous tutorial about glitch intros I wish I really recommend you to watch if you're going to follow this one because it's very similar but just with different results but if you combine these two tutorials I'm sure you can get something really cool out of it so also if you got some nice results be sure to leave them in the comments below so I can see what you come up with using my tutorials alright so here I'm going to create a new solid n decomposition of the fractal noise go to effect noise and grain and add the fractal noise effect here and here we're going to have some fun so change the fractal type to may be dynamic and change the noise type to block and now it's up to us to play around with the contrast and the transform I'm going to uncheck the uniform scaling and I'm going to add a lot more contrast create a keyframe for that ready keyframe for the brightness.
WIDTH AND HEIGHT
scale width and height and then I will also increase or decrease well let's decrease it to for the complexity thing that should be fine and alt click on the evolution and right time times 500 like this and then just don't hit Enter just click away and then it should animate itself automatically you can also play around with the offset turbulence but I won't do that for now once you have done that click under the layer press U on the keyboard this will reveal all the keyframes that we just made and then we can concentrate on our timeline itself then like move ahead a few frames like three frames I do this with a page down button one two three and then here I will create new keyframes .
DD GLICH EFFECT
so just hover over them to make new keyframes right here move ahead one frame and then you can switch it up a little bit so that's the cool part you can just play around with the contrast play around maybe with the bright amber we have with the brightness and also Whitty with and d hi maybe and do some crazy stuff move ahead a few frames also I create new keyframes move ahead one frame and then switch it up even more so maybe make it very thin and but very bright so we have like a lot of displacement going on and this is going to allow us to concert well to allow us to do D D glitch effect so now we have like everything that's wide is going to be displaced everything thats black is not going to be displaced and you will see em in the near future what i'm talking about.
ORIGINAL COMPOSITION
so go back to your original composition the Tut glitch intro main then I will also create a text here so let's select my horizontal text tool and just enter some text so I will write hole rated cinematics make it a little bit bigger well not too big of course and then just Center it with the align tool here so just Center it out and now we have our text then we can go to layer pre compose and pre compose our text so title a1 there we go and we are also going to add this fractal noise to our composition then I will uncheck this eyeball here so we don't see that layer it's just it can be hidden right click new adjustment layer and then we are going to rename that layer to displacement there we go I go to effect distort in this displacement map that's right over here then we will select the displacement map layer to be that fractal noise layer and now suddenly it well immediately you can see the difference in our text and if we're going to play this back we will see that it has like a light glitch like there right there.
PRETTY COOL
so that's pretty cool and then what you can do as well is maybe just go back to your fractal noise now we'll animate the offset turbulence anyway so go back to your beginning of the timeline click on the stopwatch move ahead like 1 second or so well 20 20 seconds is here so right this is all going way too fast so I'm going to zoom back in and select these all these keyframes and just make sure that they all happen within like two seconds or soon okay this is okay and then go back to the beginning and what I will do is the opposite turbulence and press e on the keyboard to reveal that keyframe as well so right here the off-center blends and go to the to the end of our keyframes and then just move it like a little bit so there's some movement in the fractal noise as well so now we get something like this and very quickly actually okay apparently it's not two seconds two seconds it's right in here I'm watching frames here okay that's my mistake.
FIVE GLICH EFFECT
so select all your keyframes and if you hold alt and drag it out you can just lengthen them or shorten them all at once so just make sure it's like two seconds then I was my mistake little mistake here but now we have something like this so that's pretty cool actually again I'm going to switch it to like one second it's a little bit too long okay okay so this is great this is what we're actually looking for and if we go back to our to our original comp and check that we're going to see that everything is a lot faster and more glitch here then go to the displacement adjustment layer and also click on the soft watches for the max horizontal displacement and the Max vertical displacement if you press you on the keyboard as well to reveal those keyframes we can then play with like the vertical ones - yeah got our text all open there we go and also maybe well let's keep the vertical at zero for now then move ahead like two frames and change it to like ten here and change it to zero for a second change it back to 20 and play around with everything so now we have something like this very quickly there we go also maybe another one and we will also make it like five and like ten here.
FRACTAL NOISE EFFECT
go back to the fractal noise and then like maybe scale it up like a lot so right over here we have our scaling we can create a keyframe before we can create two new keyframes for the scale then in between these and these keyframes we can scale it up like to be very big here so something like this and if we go back we will see that it's going to be displacing like a bigger chunk of our text so if we're going to check it out it's going to add some variation in to our text there we go okay so that's right over here and then play around with the horizontal and vertical displacement there we go all right and then once you have the end here we will change them back to zeros and we have no displacement whatsoever anymore so this is and this is our glitch appearance here and we zoom out just a little bit and shorten this preview this I'm going to set my preview to loop you can do that right here at the preview tab.
LOOPING
so it should be looping so we can keep on checking okay so that's pretty cool what you can do as well is go to the displacement and also add another distort and the wave warp this is also pretty cool and change width to like 10 and maybe the height to 10 as well here and then move back one frame change it to zero move forward two frames back to zero and then we will see that we have like three keyframes like this 0 10 0 now we have like 1 frame that has the wave warp then a little bit later you can do the same thing so after that 0 we can change it back to like 20 maybe a little bit more again back to 0 and check what we have so that's a little bit more variation to our text ok so what I have done as well is created another composition call this background noise and I also created well I made us one second long and go back to the project and what I did use is the glitch elements that we sell on our website but you can also get some free samples if you enter your email link will be in the description and then you will get some glitch effects it can use and just drag them into your timeline will all select them all and drag them to your timeline and then move ahead.