Neon Wall 3D lyrics video editing in node video editing tutorial
Neon Wall 3D lyrics video editing in node video editing tutorial
Neon Wall 3D lyrics video editing
INTRODUCTION
Hi guys welcome to sbk Edits Official tutorial channel this video have many information about 3d lyrics animation video editing like after effect . All Materal was given in end of this page. Download and enjoy ur editing journey.
PRE COMPOSITION
so we'll never realize it there we go we painted it away it's not perfect but as you can see the cars are completely gone so now what we want to do is click on that layer go back to the composition view port right here so we have our location here what we want to do is go to layer and pre-compose that shot and we'll rename this to clone removal for example and look like okay and then what we want to do is just go to the pen tool zoom in a little bit and just draw this part out of the shot okay perfect let's press F on the keyboard to feather it a little bit so feather it out so you don't actually see the scenes and depending on the light situation that could change so that will just fix it a little bit.
WINNING AFTER EFFECT
so now what I want to do is pick the pic with a tool and just select and just drag it over the track data node and that's going to take the information off the track data nil and it's now going to be parented and it's going to move along with the null object so if we're going to preview this we can see that it's sticking into place and it's doing a perfect job actually because it's so far away it doesn't change in 3d perspective which is really important as it won't work because this is just a 2-d plug-in from winning After Effects so this is really for basic stuff like this far away or if you have simple removals in the foreground that don't change in perspective all right so this shop is now done let's take a look at the outer shot it's a little bit more complex we're also going to take a look on how to replace it maybe adil different text on there so I will open up the watch shot and right here these are actually just my watches.
DRAG THE KEYFRAME
so we're actually going to rotate and as you can see right now it actually does change in perspective there is where the Trekker of After Effects itself lacks a little bit it's not made for these type of shots so we'll need to use mocha in this case and mocha is actually plugin well it's actually an external software but it actually comes with After Effects when you have After Effects installed you automatically have mocha installed and using that you can just go right here at the end and click on your shot and go to animation and track it in mocha AE right here and that's going to start up a new software as you can see and just click OK yes there we go so now what I want to do is find a spot where we want to pick our information from so we'll go all the way till the end of our frame and then we'll go over here to this tool which is some kind of pen tool I will just drag around well click a few times.
STRAIGHT AT CAMERA
so click over here click over here and click over here so now we have the information of the watch is there and then we'll right click to make our selections so right click and that will make your selection as we started from the end of our timeline we now need to track backwards instead of forwards easy enough so we'll click on this button here which is the track backwards tool so click on that and let it do its job again so you go have a drink and come back when it's done all right so now really important is go back to the to the frame where you actually started this track or actually where you have the most information in your shop which in this case is at the back at the end of our frame because right here it's actually straight at the camera so we have the most information to do a removal.
FREEZE THE FRAME
so we'll start from this frame all the way that'll be at the end and then we'll right click here in the layers panel of mocha and right click align selected surface and we really need to press this button if you don't do that it's not gonna work now we go to the export tracking data and right here I'm going to select a corner pin and data okay click to clipboard there we go so now we have it copied from mocha we can actually close the software we don't need to save anything and then we go all the way to the beginning of our shot right here actually let's stay at the end for now keep in mind that it's copied on your yeah back end and we're going to duplicate this layer so edit and we're going to duplicate it and then right-click on that new duplicated layer go to time and freeze frame at that exact same location where you did the align selected surface in mocha.
START REMOVING
so that's right here at the end we'll double click on it so it opens in a new layer new viewport and again go to the clone stamp tool and start removing and watches so again here I'm going to increase my brush size a little bit hold alt right here and just drag over it like so and again we make a little mistake a little bit smaller here okay and just drag over to watch it still too big okay and there we go this should work okay so we'll just draw weighty watches here and release your clone right here and then start again so it has the information release it again and clone again ok so now the text is completely erased what we want to do is actually close this open it up and go to the cloner right here we actually see these three layers of cloners as well select the 1st layer hold shift and select the last layer right here and as you can see in your layers and this is actually your cloner but because it's actually going backwards.
CLONER
we need to extend the cloner backwards the cloner actually only predicts in the future and the indy moving forward so we actually need to extend it all the way backward so and this is over extended over the entire time line like so so now if we're going to look everything is erased right here so go to the composition again and I will click on that layer and go to layer pre compose this shot and we'll move all the attributes into a new composition and this is going to be our cloner erased text for example and then click OK alright so once you have pretty composed isn't at this entire shop what we want to do is actually just key out the part where the text was supposed to be so I will create a new mask tool like that and then press F on the keyboard and just increase it a little bit so we have it covered with a little bit of feather to change it a little bit.
PERFECTLY SHARP
so now go all the way to the beginning and actually we're going to pre compose it one more time with this mask included to go to layer pre compose and then mask removal and then click OK and now what we want to do is take that information for a mocha that is still copied we're going to paste that onto this shot but it's really important that you're all the way at the beginning of your timeline to go to edit and paste it like so and there we go as you can see is going to be yeah moving all the way along perfect we can't see a little bit of color change right here and also it's a little bit more blurred at the beginning then at the end right here it's perfectly sharp and right here it's kind of blurry so what we will do is do a little bit of a few adjustments to make it look as good as possible.
GUSSAIN BLUR 1
so what I will do is first I will go to effect blur and sharpen an addict Gaussian blur I will click on the stopwatch right here for Gaussian blur so we create a new keyframe Prince EU on the keyboard to reveal that keyframe in your timeline and drag that keyframe all the way till the end holding shift it will snap to the end and then right here at the beginning I want to increase that until it actually is equally as blurred as the background or kind of eyeball it so now we have that of yeah animation going on so it's actually blurred at the beginning and sharp at the end then also what I want to do is click on that again and go to effects color correction and we want to add some curves we're also going to click on the stopwatch free curves and then press U on the keyboard again.
BLENDING TOGETHER
so we actually see and that key frame in the timeline we want to move that keyframe also all the way till the end till the end actually and that's where it's actually doing no effect and then we want to go all the way till the beginning and actually do a few adjustments any curve so I'm going to take this down to make it a little bit darker and as we can see we need to include a little bit more orange kind of tones so we'll go to the blue channel and I will take away some blues I wish we'll make it a little bit more Orange now we also are going to take away a few of the greens so go to the green Channel and see what that does okay that's looking a little bit better not too much of course and I actually go back to the RGB I think I made it a little bit too darks and make it a little bit brighter and now we're actually starting to see that it's kind of blending together
CC PHOTO
so in the red Channel maybe pump it up just a slight touch and that's and now that's without the curse adjustment and this is with the curves adjustments I think it looks quite okay maybe you can do a better job but yeah again take more time for it and maybe here in the beginning that well in the middle you also want to increase the red tones a little bit so there we go so we now have this kind of animation you can also go and maybe add a photo filter so we'll go to effects color correction photo filter right here and yeah make it a little bit brighter okay so this is really blending it in in my opinion and there we go without and with perfect so we'll go and lower just a little bit more and then click on the stopwatch also and then at the end we actually want to reset it to zero so now we have this kind of core animation and as you can see you can barely notice any difference so now what I want to do is maybe add a text in there or replace it with text so what we'll do is open it up and we're actually going to add some text in here.
3D ANIMATION
so what I will do is press M on the keyboard to remove that mask so we're going right over here in the mask and click none so we actually see the entire shop then go to your text tool and write watches in a different font for example and make it a little bit bigger okay and now what I want to do is actually make it 3d so we can actually kind of eyeball the perspective here so we're going to press W on the keyboard to do the rotation you can also go to the rotation tool right here and then press it V on the keyboard for the selection tool you can move everything around so and that's basically it I think that looks okay here um okay and I will go to effect and generate and fill then go to your color and with your pivot tool you can actually select a black color within the scene this is going to pick a like as you can see it's going to pick a different kind of like then you would probably do going to take a warmer kind of black which is the real black from in that shot .
SHARPEN AND BLUR
so we'll click OK we can press T on the keyboard well lower the opacity to do something like 90 so it blends in a little bit better maybe go to effect blur and sharpen Gaussian blur and we can do a 1% blur or a 2% blur and so it blends in a little bit better and then go all the way back to your composition and now you will see if we're going to preview that of course you have to re-enable your mask so we'll go again add in the mask and then as you can see we now have our text on our box just like this pretty cool alright so that's it for this video I hope you liked it if you did give this video a like also subscribe to the channel for more and also definitely check out our website we have a bunch to offer for filmmakers and it does help support channel to create better and more often content so I'll see you in the next one and good bye
CONCLUSION
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